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portada The art of Fiction: A Guide for Writers and Readers
Type
Physical Book
Author
Publisher
Year
2000
Language
English
Pages
192
Format
Paperback
ISBN
0452281547
ISBN13
9780452281547

The art of Fiction: A Guide for Writers and Readers

Ayn Rand (Author) · Penguin · Paperback

The art of Fiction: A Guide for Writers and Readers - Ayn Rand

New Book Imported to New Zealand
Delivery: 17 Aug - 24 Aug Shipping: 5 to 6 business days.
NZ$ 68.96
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NZ$ 68.96

Synopsis "The art of Fiction: A Guide for Writers and Readers "

In 1958, Ayn Rand, already the world-famous author of such bestselling books as Atlas Shrugged and The Fountainhead, gave a private series of extemporaneous lectures in her own living room on the art of fiction. Tore Boeckmann and Leonard Peikoff for the first time now bring readers the edited transcript of these exciting personal statements. The Art of Fiction offers invaluable lessons, in which Rand analyzes the four essential elements of fiction: theme, plot, characterization, and style. She demonstrates her ideas by dissecting her best-known works, as well as those of other famous authors, such as Thomas Wolfe, Sinclair Lewis, and Victor Hugo. An historic accomplishment, this compendium will be a unique and fascinating resource for both writers and readers of fiction.
Ayn Rand
  (Author)
View Author's Page
Ayn Rand (St. Petersburg, 1905; New York, 1982) was a writer and philosopher born in Russia and naturalized American. After publishing her first two novels, We the Living (1936) and Anthem (1938), she achieved success with The Fountainhead (1943) and Atlas Shrugged (1957), her magnum opus. In these works, Rand developed her philosophy, known as Objectivism, in which she concretizes her original vision of man as «a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute».

Later, she would establish the theoretical foundations of this philosophy in her non-fiction books: Introduction to Objectivist Epistemology (1979), The Virtue of Selfishness (1964), Capitalism: The Unknown Ideal (1966), and The Romantic Manifesto (1969).

Her legacy continues to be enormously influential among conservatives and libertarians, both in the United States and around the world, because it directly confronts the acquired cultural inertia, challenging the axis «mysticism-altruism-collectivism» and replacing it with a philosophy based on: «reason-selfishness-capitalism».
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