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portada Fables of Aggression: Wyndham Lewis, the Modernist as Fascist
Type
Physical Book
Publisher
Year
2008
Language
English
Pages
190
Format
Paperback
Weight
1
ISBN
1844672794
ISBN13
9781844672790

Fables of Aggression: Wyndham Lewis, the Modernist as Fascist

Fredric Jameson (Author) · Verso Books · Paperback

Fables of Aggression: Wyndham Lewis, the Modernist as Fascist - Fredric Jameson

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Synopsis "Fables of Aggression: Wyndham Lewis, the Modernist as Fascist "

The novels of Wyndham Lewis have generally been associated with the work of the great modernists—Joyce, Pound, Eliot, Yeats—who were his sometime friends and collaborators. Lewis’s originality, however, can only be fully grasped when it is understood that, unlike those writers, he was essentially a political novelist.In this now classic study, Fredric Jameson proposes a framework in which Lewis’s explosive language practice—utterly unlike any other English or American modernism—can be grasped as a political and symbolic act. He does not, however, ask us to admire the energy of Lewis’s style without confronting the inescapable and often scandalous ideological content of Lewis’s works: the aggressivity and sexism, the predilection for racial and national categories, the brief flirtation with fascism, and the inveterate and cranky oppositionalism that informs his powerful polemics against virtually all the political and countercultural tendencies of his time.Fables of Aggression draws on the methods of narrative analysis and semiotics, psychoanalysis, and ideological analysis to construct a dynamic model of the contradictions from which Lewis’s incomparable narrative corpus is generated, and of which it offers so many varying symbolic resolutions.
Fredric Jameson
  (Author)
View Author's Page
Fredric Jameson (1934–2024) was an influential American literary critic and Marxist theorist, known for his analysis of contemporary culture and its relationship with late capitalism. He earned his PhD from Yale with a thesis on Sartre and taught at universities such as Harvard, Yale, and Duke. His methodological approach combined Marxism, structuralism, and psychoanalysis, addressing issues like postmodernism and cultural production in the globalized era. In 2008, he received the prestigious Holberg Prize for his outstanding contribution to the study of the relationships between social formations and cultural forms.

Among his most notable works are Postmodernism, or, The Cultural Logic of Late Capitalism (1991), Theories of Postmodernity (1996), The Seeds of Time (2000), A Singular Modernity (2002), Archaeologies of the Future (2009), and The Realism and the Providential Novel (2006). The latter, published by the Circle of Fine Arts, examines narrative structures in Western literature, from Heliodorus to George Eliot, and suggests that happy endings are a literary rather than existential category. His work falls within the genre of critical essay and literary theory, and has left an indelible mark on contemporary cultural and literary studies.
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