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portada Bloody Living: The Loss of Selfhood in the Plays of Marina Carr
Bloody Living: The Loss of Selfhood in the Plays of Marina CarrBloody Living: The Loss of Selfhood in the Plays of Marina CarrBloody Living: The Loss of Selfhood in the Plays of Marina Carr
Type
Physical Book
Illustrated by
Year
2010
Language
English
Pages
322
Format
Paperback
Dimensions
22.4 x 14.7 x 1.8 cm
Weight
0.45 kg.
ISBN
3039119648
ISBN13
9783039119646

Bloody Living: The Loss of Selfhood in the Plays of Marina Carr

Rhona Trench (Author) · Eamon Maher (Illustrated by) · Peter Lang Ltd, International Academic Publis · Paperback

Bloody Living: The Loss of Selfhood in the Plays of Marina Carr - Maher, Eamon ; Trench, Rhona

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Synopsis "Bloody Living: The Loss of Selfhood in the Plays of Marina Carr"

This book deals with the process of negotiation with the past in the present through the plays of Marina Carr. The title frames the work, connoting the path towards destruction and the sense of lethargy acquired along the way. The book offers an in-depth and extensive reading of Carr's plays. In doing so, it surveys some of the destructive issues represented in the works and provides a series of social and cultural contexts to which the concerns in the works are related. Carr is best known for her trilogy, The Mai, Portia Coughlan and By the Bog of Cats..., and more recently Woman and Scarecrow, The Cordelia Dream and Marble. The plays are regularly concerned with notions of identity in the context of self-destruction, self-estrangement and displacement. This book applies Julia Kristeva's theory of abjection to Carr's plays in an effort to structure the loss the author identifies in the works. Themes of memory, history and myth are examined in the context of these concerns in provocative and confrontational ways.

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