Name: Asterix eng Omnibus 04 (10 11 12) (Papercutz): Collects Asterix the Legionary, Asterix and the Chieftain'S Shield, and Asterix and the Olympic Games
Price: 44.15 NZD
Availability: InStock
Author: René Goscinny
ISBN: 9781545806296

portada Asterix eng Omnibus 04 (10 11 12) (Papercutz): Collects Asterix the Legionary, Asterix and the Chieftain'S Shield, and Asterix and the Olympic Games

Asterix eng Omnibus 04 (10 11 12) (Papercutz): Collects Asterix the Legionary, Asterix and the Chieftain'S Shield, and Asterix and the Olympic Games

Type

Physical Book

Author

René Goscinny

Albert Uderzo

Publisher

Papercutz

Year

2021

Language

English

Pages

152

Format

Paperback

Dimensions

23.4 x 18.5 x 1.0 cm

Weight

0.48 kg.

ISBN13

9781545806296

Edition No.

Synopsis "Asterix eng Omnibus 04 (10 11 12) (Papercutz): Collects Asterix the Legionary, Asterix and the Chieftain'S Shield, and Asterix and the Olympic Games "

In "Asterix the Legionary," one of the three classic Asterix graphic novels collected here, Asterix and Obelix do as the Romans do and join the Roman Legion in hopes to get closer to Obelix's big crush in the process. Instead, the troops are sent far from Gaul to North Africa. Then, in "Asterix and the Chieftain's Shield" with the village chief away, Caesar and his men come to play--and get their hands on a priceless Gaul shield! Asterix must foil their search and protect his village. Then Asterix heads to Greece to participate in the Olympic games. But how do the Gauls register themselves? As Romans? And is their powerful potion an ancient form of performance enhancers? It's an international bout for the ages and just when you think you know what to expect in Asterix, the creators Goscinny and Uderzo throw things at you that you never could've imagined.Includes a new afterword by Alexander Simmons providing historical and cultural context for Asterix, both in 50 B.C. and in the time the classic comics were made addressing various racial depictions

René Goscinny

(Author)

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René Goscinny (1926–1977) was a celebrated French scriptwriter and author, known for being the co-creator of the iconic comic book series Asterix, alongside illustrator Albert Uderzo. He also created popular characters like Lucky Luke (with Morris) and Little Nicholas (with Jean-Jacques Sempé). His style is characterized by intelligent humor, historical satire, and wordplay. Goscinny transformed the European comic world, bringing a literary and comedic approach that transcended generations. His legacy continues to live through his works, translated into dozens of languages and adapted into film, television, and theater.

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Albert Uderzo

(Author)

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Albert Uderzo (Fismes, France, April 25, 1927 – Neuilly-sur-Seine, March 24, 2020) was a French cartoonist and scriptwriter of Italian origin, world-famous as the co-creator of Asterix the Gaul alongside scriptwriter René Goscinny. From a young age, Uderzo showed exceptional talent for drawing and forged his career in French children's magazines, captivating with characters and panels full of humor and wit. The son of Italian immigrants, his childhood was marked by effort and creativity, as well as an early fascination with Walt Disney's heroes.

In 1959, together with Goscinny, he brought to life the indomitable Gauls Asterix and Obelix in the magazine Pilote, characters who, thanks to their social critique and historical references, won over readers of all ages. The Asterix series, turned into a European comic icon, was translated into dozens of languages, sold hundreds of millions of copies, and was adapted for both cinema and television, elevating the comic to the status of a global cultural phenomenon.

After Goscinny's death in 1977, Uderzo continued the saga as the sole author until his retirement in 2009, establishing himself as an undisputed reference in the ninth art. His career was recognized with prestigious awards, such as the Legion of Honor in France, the Eisner Award, and an honorary doctorate from the University of Paris. Uderzo's legacy endures through generations, inspiring readers and artists, and reaffirming the value of graphic art as a vehicle for humor, social critique, and universal storytelling.

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